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	<title>emdsgn &#187; maya</title>
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	<link>http://www.emdsgn.com</link>
	<description>ethan marsh design</description>
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		<title>element.02</title>
		<link>http://www.emdsgn.com/architecture/element-02</link>
		<comments>http://www.emdsgn.com/architecture/element-02#comments</comments>
		<pubDate>Sun, 12 Sep 2010 16:45:24 +0000</pubDate>
		<dc:creator>ethan marsh</dc:creator>
				<category><![CDATA[architecture]]></category>
		<category><![CDATA[academic]]></category>
		<category><![CDATA[environmental parametrics]]></category>
		<category><![CDATA[fluid dynamics]]></category>
		<category><![CDATA[graduate]]></category>
		<category><![CDATA[grasshopper]]></category>
		<category><![CDATA[maya]]></category>
		<category><![CDATA[scripting]]></category>

		<guid isPermaLink="false">http://www.emdsgn.com/?p=1087</guid>
		<description><![CDATA[Graduate thesis project using environmental parametrics as input for emergent morphological development.]]></description>
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<h3>project description:</h3>
<p>Physical Manifestations of Invisible Forces:<br />
My graduate thesis project which uses environmental parametrics as input for emergent morphological development.  This project explores the emergence of tectonic systems through the simulation of fluid &amp; thermodynamic forces simulation modeled after seasonal climate data.</p>
<p>This project uses fluid &amp; thermo-dynamic simulation to challenge traditional legal &amp; public boundaries, while informing the development of tectonic architectural systems that exploit stochastic climate change.  By setting up a simulation environment that using annual prevailing wind speed &amp; temperature data within a the confines of the property line and the required building cores as obstacles the natural flow of air speed &amp; temperature creates complex fluid geometry with inherent logics drawn from their behavioral interactions.</p>
<p>By choreographing the stochastic nature of fluid &amp; thermo-dynamic systems within a simple geometric simulation environment complex geometries emerge.  These morphological behaviors give rise to geometric, programmatic &amp; tectonic systems that feed from and respond to the environment in which it lies.  Active mechanical systems expand &amp; contract, open &amp; close, in response to the shifting wind and temperature patterns within a choreographed stochastic mechanical &amp; architectural system response. </p>
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		<title>Robotic Cell: Plastics Fabrication</title>
		<link>http://www.emdsgn.com/architecture/robotic-cell-plastics-fabrication</link>
		<comments>http://www.emdsgn.com/architecture/robotic-cell-plastics-fabrication#comments</comments>
		<pubDate>Fri, 05 Feb 2010 21:00:00 +0000</pubDate>
		<dc:creator>ethan marsh</dc:creator>
				<category><![CDATA[architecture]]></category>
		<category><![CDATA[academic]]></category>
		<category><![CDATA[graduate]]></category>
		<category><![CDATA[maya]]></category>
		<category><![CDATA[robotics]]></category>
		<category><![CDATA[SCI-Arc]]></category>

		<guid isPermaLink="false">http://www.emdsgn.com/?p=632</guid>
		<description><![CDATA[project description: Robotic fabrication cell design.]]></description>
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<h3>project description:</h3>
<p>Robotic fabrication cell design.
</p></div>
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		<title>San Francisco Transbay Rail Terminal</title>
		<link>http://www.emdsgn.com/architecture/san-francisco-transbay-rail-terminal</link>
		<comments>http://www.emdsgn.com/architecture/san-francisco-transbay-rail-terminal#comments</comments>
		<pubDate>Tue, 03 Mar 2009 18:18:46 +0000</pubDate>
		<dc:creator>ethan marsh</dc:creator>
				<category><![CDATA[architecture]]></category>
		<category><![CDATA[academic]]></category>
		<category><![CDATA[graduate]]></category>
		<category><![CDATA[maya]]></category>
		<category><![CDATA[SCI-Arc]]></category>
		<category><![CDATA[scripting]]></category>

		<guid isPermaLink="false">http://www.emdsgn.com/?p=620</guid>
		<description><![CDATA[project description: Mid-term submission for the San Francisco Transbay Rail Terminal featuring high-speed maglev trains.]]></description>
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<h3>project description:</h3>
<p>Mid-term submission for the San Francisco Transbay Rail Terminal featuring high-speed maglev trains.</p>
</div>
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		<title>Bird Cage</title>
		<link>http://www.emdsgn.com/architecture/bird-cage</link>
		<comments>http://www.emdsgn.com/architecture/bird-cage#comments</comments>
		<pubDate>Wed, 10 Dec 2008 19:00:08 +0000</pubDate>
		<dc:creator>ethan marsh</dc:creator>
				<category><![CDATA[architecture]]></category>
		<category><![CDATA[featured]]></category>
		<category><![CDATA[academic]]></category>
		<category><![CDATA[graduate]]></category>
		<category><![CDATA[maya]]></category>
		<category><![CDATA[SCI-Arc]]></category>

		<guid isPermaLink="false">http://emdsgn.com/test/?p=6</guid>
		<description><![CDATA[Born from the seeds of proto-architectural exploration the bipolar house roots itself into the landscape and begins its growth into a matured conceptual entity.  Once situated upon its desired perch the organic liner begins feeding from its environment by drawing minerals from the stone plinth as it grows its protective shell through a process of calcification shielding its soft interior liner from the threats of the elements.  Once encased in its rigid body the liner begins to lift open surface apertures capturing sunlight into its interior fueling the next phase of its development.  Unable to contain its own growth the liner membrane swells beyond the threshold of its shell exposing itself to the exterior.  This gluttonous swelling is the liner’s egocentric action to prove its ability to exist beyond the protective shell it once depended upon and thus violating the shell and the notion of poche.  In response to its internal programmatic necessity for floor plates the shell responds in kind by thrusting itself back into the interior space violating the exterior/interior relationship.   This competition for identity, function, and purpose drives enormous fractures in the shell and tears open large portions of the liner which compromises these two systems’ ability to support each other without a third mediating system, the structural armature.  The structural armature was the natural respond to the shell and liner’s destructive relationship.  The armature serves as a spatial structure comprised of standardized rods bridging free-form node connectors.  The node connectors help to re-establish the shell liner relationship by creating connection nipples on the exterior for the shell to latch onto.  The interior liner’s membrane also fixes itself to these node connections via a female reception point and button creating a tufted interior surface membrane.  Further, the armature, once developed from the integrated semi-rigid cartilage system once within the interior membrane, now has hardened and detached itself from its parasitic liner and driving its legs and feet into the landscape fracturing the stone plinth it once fed from like the roots of an old tree.

Now a mature concept, the shell, the liner, and the armature have now fulfilled their purpose for architectural exploration.  Born from pure formality, this entity has grown through the design process to strive for the bipolarity of the live/work program and then abandon it, and used the affects of poche then arrogantly rejected it, leaving only the 3 symbiotic proto-architectural and proto-structural systems as a model for a design process conceived from the mediation of geometric expression through the reactionary bipolar cohabitation of the rigid crenellated shell and soft cellular liner.
]]></description>
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<h3>project description:</h3>
<p>Born from the seeds of proto-architectural exploration the bipolar house roots itself into the landscape and begins its growth into a matured conceptual entity.  Once situated upon its desired perch the organic liner begins feeding from its environment by drawing minerals from the stone plinth as it grows its protective shell through a process of calcification shielding its soft interior liner from the threats of the elements.  Once encased in its rigid body the liner begins to lift open surface apertures capturing sunlight into its interior fueling the next phase of its development.  Unable to contain its own growth the liner membrane swells beyond the threshold of its shell exposing itself to the exterior.  This gluttonous swelling is the liner’s egocentric action to prove its ability to exist beyond the protective shell it once depended upon and thus violating the shell and the notion of poche.  In response to its internal programmatic necessity for floor plates the shell responds in kind by thrusting itself back into the interior space violating the exterior/interior relationship.   This competition for identity, function, and purpose drives enormous fractures in the shell and tears open large portions of the liner which compromises these two systems’ ability to support each other without a third mediating system, the structural armature.  The structural armature was the natural respond to the shell and liner’s destructive relationship.  The armature serves as a spatial structure comprised of standardized rods bridging free-form node connectors.  The node connectors help to re-establish the shell liner relationship by creating connection nipples on the exterior for the shell to latch onto.  The interior liner’s membrane also fixes itself to these node connections via a female reception point and button creating a tufted interior surface membrane.  Further, the armature, once developed from the integrated semi-rigid cartilage system once within the interior membrane, now has hardened and detached itself from its parasitic liner and driving its legs and feet into the landscape fracturing the stone plinth it once fed from like the roots of an old tree.</p>
<p>Now a mature concept, the shell, the liner, and the armature have now fulfilled their purpose for architectural exploration.  Born from pure formality, this entity has grown through the design process to strive for the bipolarity of the live/work program and then abandon it, and used the affects of poche then arrogantly rejected it, leaving only the 3 symbiotic proto-architectural and proto-structural systems as a model for a design process conceived from the mediation of geometric expression through the reactionary bipolar cohabitation of the rigid crenellated shell and soft cellular liner.</p>
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